Peggy Gale studied art history at the University of Toronto and Università degli Studi (Florence), and has published extensively on time-based works by contemporary artists. Her ‘Videotexts’, selected essays centred on narrative issues for artists’ video, was published in 1995 by Wilfrid Laurier University Press and The Power Plant.
John Greyson is a Toronto film/video artist whose works include Fig Trees, Covered, Zero Patience, Lilies, Un©ut, The Making of Monsters and Proteus, engaging such topics as AIDS activism, censorship, gay marriage, copyright and queer solidarity with Palestine. His films have won best film awards at festivals in Berlin, Toronto, Vancouver, Hamburg, San Francisco, Los Angeles and Johannesburg, and been presented at retrospectives in London, Toronto and Montreal.